The audience will never see it, but it’s something you do wrong on purpose because it makes it easier to do the actual change.”Ī sheet is placed on the floor to keep all costumes clean. “Sometimes you will literally, on purpose, put a black snap on a white vest because you can see it in the dark better. “You have to be able to do it in the dark by Braille because there’s not a lot of light back stage,” Fleming added. “Meanwhile, I’m getting a vest on and they’re snapping. “Here’s your tie, and it’s already tied and I slip it over my head,” Jacoby said. He focuses on one thing while two dressers do everything else. is rigged with Velcro because that’s a quick in.”īen Jacoby, who plays Raoul, said the between-scenes costume change is all about teamwork.

' 'Phantom of the Opera' Her Majesties Theatre.“His military jacket has closures down the center so that it comes off really, really fast,” Fleming said.

'(D-3) Wig Peter / Bonnet Jane / Costume Henrietta / face, mask Michael.' (Textual information Beneath right hand figure Handwriting Pencil).

'(D-1) Hat and Mask Michael / Costume Henrietta / Michael body' (Textual information Beneath central figure Handwriting Pencil).

Mask/head Michael.' (Textual information Beneath left hand figure Handwriting Pencil)

'Hat and cloak Henrietta (D-2) / leotard - bought and then painted.Young Girl Figure' (Textual information Upper right hand side of right hand figure Handwriting Pencil) 'Feather Hat' (Textual information Upper left hand side of central figure Handwriting Pencil).'Skeleton' (Textual information Upper right hand side of left hand figure Handwriting Pencil).

'Three Mannequins on Two Dimensional 'staircase' Border Masquerade Act 2 sci' (Textual information Upper edge of design Handwriting Pencil).

Phantom of the opera costume designer